The world is her stage.
Deborah Belintani Rosa plopped down in front of the Pantheon and started to draw. The former Roman temple served as a backdrop for Rosaβs sketch as she documented the moment over spring break.
It was her first visit to Rome and the opportunity came thanks to Dr. Marie Gasper-Hulvatβs class abroad to study Baroque art. Growing up in Sao Paulo, Brazil, Rosa always dreamed of traveling to Italyβs capital.
Now, she was there, capturing the ancient city through her contemporary lens.
A theater production major at ΒιΆΉΣ°ΤΊ at Stark, Rosaβs studies brought her to the United States, where she lives with her father, Sergio, a Goodyear employee. βIt is a great opportunity to study in America,β the 18-year-old said.
A recipient of the 2018 Run the World Scholarship and student worker in the Office of Global Education Initiatives, she came to the United States βto know about the culture and, consequently, have more knowledge.
βThe situation in Brazil is hard,β Rosa explained. βMoney that should be helping the poor, or going toward schools, is not.β
Her hometownβs streets often served as a harsh divide. βThere was a very fancy side and a very poor side,β said Rosa, who, even as a young girl, saw the inequity that spanned her neighborhood. βI wanted to make a difference.β
She naturally gravitated toward the stage. There, everyday problems are solved.
βWe can see the positive change that takes place when people are transformed by what is happening,β said Rosa, who witnessed that firsthand during ΒιΆΉΣ°ΤΊ State Starkβs spring production of β26 Pebblesβ, a docudrama recounting the 2012 Sandy Hook Elementary School shooting.
As she directed the stage lights toward the actors, illumination resonated in more ways than one. βDirector Brian Newberg shared with us how one audience member changed his mind about guns after seeing this play,β Rosa said. βThatβs the thing that I love about the theater.β
This sophomore is determined to make her mark on the world, be it in Canton, Sao Paulo or Rome, through the transformative power of the stage.
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